Melina Walling | On Details in Harrison County

On Details In Harrison County

Photo & Story by melina walling

Originally Published in the cynthiana democrat

My first impression after a week in Harrison County: this place brims with details, a richness I never could have imagined.

The bright flicker of a bluebird as it flashes across the road. Fields dappled with purple flowers. The dark grunts of cattle, twin shadows of buzzards overhead. Cigarette smoke and lingering scents of beer and bourbon. At night, screams of insects and bullfrogs. Raindrops smudging my notebook and beating sun baking into my shoulders. The white moth dying slowly in my shower.

Melina Walling

Melina Walling

My name is Melina, and I am this summer’s Mary Withers Rural Writing Fellow at Boyd’s Station, a nonprofit focused on documenting the people and places of Harrison County. This fellowship represents a new experience for me; all my life, I have lived in the suburbs. Big cities and farms are equally unfamiliar to me. I step off the subway in New York City and mistake the Chrysler Building for the Empire State. I drive too slowly on winding country roads.

Before the pandemic, when we needed something fun to do, my mom and I would drive down the road to the second-largest mall in America and browse racks and racks of clothing that stretch on for over a mile. When the pandemic hit, we did even less. We walked the same five cul-de-sacs over and over. We watched TV, hours and hours of it (an entire season of America’s Next Top Model in two days). 

Scholar Marc Augé calls suburbs “non-places.” After a year spent in the suburbs, I felt that his description was more applicable than ever. I wanted to leave the hollowness of non-places behind. I wanted to come to Harrison County because I craved a connection to place.

I found that connection almost immediately. Here, every day, my body meets the land in ways it never could before. When I walk through the fields, I use all my senses. I train my eyes on the ground to dodge cow pies and let my nose alert me to the presence of skunks. I feel the stickiness of sunscreen and bug spray and hear the rustling of small creatures in the bushes.

I’ve done more new things in the last two weeks than I have in the last year. I learned how to cast a fishing line, how to drink beer under the smoke of a bonfire. I’ve watched people work with practiced hands at skills that were once completely invisible to me: changing the twine in a hay baler, throwing corn out to the cows. And I’d never understood how big cows are—how drool drips out of their mouths as they shake their heads, how they vie for a place at the fence near the feed bucket.

The people, too, wear their details on their sleeves, and share them with a warmth I have rarely experienced. A woman I’d just met described the yellow and purple bruises that led to her son’s leukemia diagnosis. A farmer I’d just met showed me, with a jolt that nearly threw me from the buddy seat, how the second and fourth gears of his tractor have been getting stuck. A deacon I’d just met told me about growing up here as a latchkey kid. He remembers exactly how the streets changed after the flood of 1997.

Here in Harrison County, where the details are so vivid, I hope not only to document what life is like today, but also to understand how everyday details are changing. I want to dig into Harrison County’s deep history, so unfamiliar to me as someone who has never lived in the South. I hope to gain an intimate understanding of the farmland, so vital to all of our existence, which changes every season and year. What will the farms of the future look like? How will this land, once a buffalo hunting ground and a site of historic battles, evolve over the next few decades?

I am here with an open mind, to hear stories and immerse myself in this community, because I believe these details matter. I will certainly reveal my ignorance more times than I’d like to this summer—I’ve already had to learn what “in hay” means, how big an acre even is. But I feel driven by my curiosity and desire to learn. After all, this place, where the earth is still not paved over with shopping malls and parking garages, represents a vital part of the future we are all building together.

It’s wonderful to meet you, Harrison County, land of green hillsides and orange sunsets. Or, as Boyd’s Station photo fellow James Year called it, “the land of long goodbyes.” Here, people linger to talk long after they should have left, because there is just so much to say. I am excited to hear and share your stories for the next three months. I already have a sneaking suspicion that I will want to linger in my goodbye, too.

If you see me on the street, please stop me to say hello! And if you have a story idea, contact, or lead, please reach out. My email is melzyorca@gmail.com. And you can also find me in person—I’ll be spending lots of time in the Boyd’s Station Gallery on Pike Street, along with the photography fellows Lily Thompson and James Year. 

I look forward to meeting you soon.

PLACE & SPACE artist Angelica Yudasto solo-exhibit at NYC Ki Smith Gallery

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Angelica Yudasto, a 2020 Boyd’s Station PLACE & SPACE creative resident, created works dealing with modes of self-reflection and body identity. Using glass and silk fabrics, which naturally lends itself to precarity and vulnerability, Yudasto wanted the material to go beyond its naturally seductive medium.

Yudasto’s work created at the Boyd’s Station PLACE & SPACE residence is currently on exhibit at the Ki Smith Gallery in NYC.

Check out the exhibit here: https://www.kismithgallery.com/

TO SEE MORE OF ANGELICA YUDASTO’S WORK, VISIT THE ARTIST’S WEBSITE: HTTPS://ANGELICAYUDASTO.COM

AMERICA REIMAGINED Holiday Update

AMERICA REIMAGINED December Update

Boyd's Station AMERICA REIMAGINED project has been updated with three amazing photographer's essays. Two follow along behind the scenes of Santas in Michigan and Hawaii by photographers Akash Pamarthy and Shafkat Anowar and the other story is a somber and telling look inside a COVID-19 ward of a hospital near Columbus, Ohio photographed by Gaelen Morse.

The America Reimagined project was started at the beginning of the coronavirus pandemic as a way of engaging and mentoring students while schools and other programs were shut down. The simple goal of this documentary project was to fill some of the gaps while the coronavirus pandemic kept students from campus. The work that has been produced has been truly outstanding.

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Akash Pamarthy

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Shafkat Anowar

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Gaelen Morse

This project is made possible with the generous support of Photoshetler and American Reportage’s photographers Pete Marovich, Jeff Swensen, and Rod Lamkey Jr and the rest of the American Reportage collective photographers along with the dedicated, behind the scenes editing and mentor team making this all happen - Michael E. Keating, Molly Roberts, Cathaleen Curtiss, Charles Borst, Stephen Crowley, and Nikki Kahn.

This project has grown into an impressive and important visual documentary photographed mainly by student and emerging photojournalists documenting the United States during these difficult times and will continue to document throughout 2021.

Check out the updated essays and the rest of the project at https://www.boydsstation.org/americareimaginedarchive and the entire project hosted by American Reportage

If you are a student photographer and want to take part, check out https://www.boydsstation.org/ar-apply

THANK YOU!

 
 

AMERICA REIMAGINED ARCHIVE UPDATE

AMERICA REIMAGINED ARCHIVE UPDATE

Please take a moment and check out the ongoing work being produced by student and emerging photographers and some amazing professionals across the country who are taking part in the Boyd's Station AMERICA REIMAGINED documentary project.

AMERICA REIMAGINED is Boyd’s Station’s innovative effort, along with partner American Reportage, to engage, motivate, mentor and give voice to emerging photojournalists documenting dramatic changes in daily life across America in 2020 and beyond. The project’s mission is to document a country in transition and record the next chapter of history.

 
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The Kentucky Arts Council, the state arts agency, supports Boyd’s Station with state tax dollars and federal funding from the National Endowment for the Arts.

 

2021 Project 306.36 Grant and Fellowship Recipients Announced

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Boyd's Station is happy to announce the Reinke Grants for Visual Storytelling and Mary Withers Rural Writing Fellow recipients for the 2021 Project 306.36 documentary project held annually in Harrison County, Kentucky.

Welcome Melina Walling of Stanford University, the Mary Withers Rural Writing Fellow and Reinke Grant for Visual Storytelling recipients Lily Thompson from Western Kentucky University and James Year from Ohio University.

Due to the COVID-19 cancellation of Project 306.36 in 2020, Boyd’s Station made the decision to invite the 2020 Reinke Grant and Mary Withers Fellow recipients, who were unable to take part in the program due to the cancellation caused by the pandemic, the opportunity to take part in Project 306.36 during the summer of 2021.

You can see more about Boyd's Station Project 306.36 and past recipients work here: https://www.boydsstation.org/about-306

Boyd’s Station will begin to accept applications for the next selection round for the 2022 Reinke Grants and Mary Withers Fellowship in October of 2021.